Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 78
Página 289
... material . Light frothy material may be read with considerable speed , but important key points and serious material require slower rates for comprehension . Actual rates range from about 115 to 180 words per minute , with 140 to 155 ...
... material . Light frothy material may be read with considerable speed , but important key points and serious material require slower rates for comprehension . Actual rates range from about 115 to 180 words per minute , with 140 to 155 ...
Página 397
... material . Most small stations manage with only one service , and the announcers read the material taken from the news ticker , making practically no changes in it . This type of newscast suffers from the lack of editorial adaptation to ...
... material . Most small stations manage with only one service , and the announcers read the material taken from the news ticker , making practically no changes in it . This type of newscast suffers from the lack of editorial adaptation to ...
Página 624
... Material to be read . Generally used to refer to announcer's material , either commercial credits or continuity . corn , corny . Overly obvious or old and familiar material . crawl . Device used to reveal program titles and credits ...
... Material to be read . Generally used to refer to announcer's material , either commercial credits or continuity . corn , corny . Overly obvious or old and familiar material . crawl . Device used to reveal program titles and credits ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York