Television and Radio |
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Página 148
... hours of each broadcast day within the station's highest rate time periods . ) Commercial content of any 30 - minute program in prime time may not exceed four minutes . This restriction includes " billboards , 148 TELEVISION AND RADIO.
... hours of each broadcast day within the station's highest rate time periods . ) Commercial content of any 30 - minute program in prime time may not exceed four minutes . This restriction includes " billboards , 148 TELEVISION AND RADIO.
Página 290
The next time - mark on your script should be " 25 , " five minutes or seventy lines later ; then " 27 , " two minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk .
The next time - mark on your script should be " 25 , " five minutes or seventy lines later ; then " 27 , " two minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk .
Página 582
... he may select a five - minute portion of a radio or television play in one of the published collections . ... of the script : one group to cut the script by five minutes , another group ten minutes , and another fifteen minutes .
... he may select a five - minute portion of a radio or television play in one of the published collections . ... of the script : one group to cut the script by five minutes , another group ten minutes , and another fifteen minutes .
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York