Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 71
Página 291
... Move hands toward each other , repeating gesture— or - bring hand toward face , palm in . 8. Move farther from microphone . Push hand away from body or face , Get off - mike . 9. Watch director for cue to come . 10. Time going as ...
... Move hands toward each other , repeating gesture— or - bring hand toward face , palm in . 8. Move farther from microphone . Push hand away from body or face , Get off - mike . 9. Watch director for cue to come . 10. Time going as ...
Página 360
... MOVES ON . AUDIO " Move me with Smyth the Smoother Mover , Smyth , not Smith , the Smoother Mover ; Put me in a padded van be a happy man , · and I'll Always a winner not a loser . Move me with Smyth the Smoother Mover , Smyth , not ...
... MOVES ON . AUDIO " Move me with Smyth the Smoother Mover , Smyth , not Smith , the Smoother Mover ; Put me in a padded van be a happy man , · and I'll Always a winner not a loser . Move me with Smyth the Smoother Mover , Smyth , not ...
Página 614
... move up from small local stations to large stations , more emphasis is placed upon specialties , sports , fashions , quizzes , interviewing , news , popular music , agriculture , home economics , etc. A staff announcer in New York ...
... move up from small local stations to large stations , more emphasis is placed upon specialties , sports , fashions , quizzes , interviewing , news , popular music , agriculture , home economics , etc. A staff announcer in New York ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York