Television and Radio |
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Página 291
Move hands toward each other , repeating gestureor - bring hand toward face , palm in . 8. Move farther from microphone . Push hand away from body or face , Get off - mike . palm out . Tap forehead next to eye . Touch nose . 9.
Move hands toward each other , repeating gestureor - bring hand toward face , palm in . 8. Move farther from microphone . Push hand away from body or face , Get off - mike . palm out . Tap forehead next to eye . Touch nose . 9.
Página 360
PIX OF VAN WITH LETTER " Y " CHANGING TO " I " AND BACK TO " Y " , VAN MOVES ON . AUDIO " Move me with Smyth the Smoother Mover , Smyth , not Smith , the Smoother Mover ; Put me in a padded van be a happy man , Always a winner not a ...
PIX OF VAN WITH LETTER " Y " CHANGING TO " I " AND BACK TO " Y " , VAN MOVES ON . AUDIO " Move me with Smyth the Smoother Mover , Smyth , not Smith , the Smoother Mover ; Put me in a padded van be a happy man , Always a winner not a ...
Página 487
The listener in radio may accompany the actor right by his side as he is on the move , or the listener may stay while the actor leaves . The listener may share the innermost thoughts of a character or be only a distant observer .
The listener in radio may accompany the actor right by his side as he is on the move , or the listener may stay while the actor leaves . The listener may share the innermost thoughts of a character or be only a distant observer .
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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Términos y frases comunes
action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York