Television and Radio |
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Página 266
All of these cameras may be dollied on the air , have lens turrets with at least four possible lens positions , operate with electronic ... The position of the camera governs the choice of the lens for the desired pick - up .
All of these cameras may be dollied on the air , have lens turrets with at least four possible lens positions , operate with electronic ... The position of the camera governs the choice of the lens for the desired pick - up .
Página 304
Movement of the head and eyes in changing position in order to talk to the proper camera should not be jerky and abrupt . The movement should be natural and smooth . A glance down to the floor or to an object you may be holding may be ...
Movement of the head and eyes in changing position in order to talk to the proper camera should not be jerky and abrupt . The movement should be natural and smooth . A glance down to the floor or to an object you may be holding may be ...
Página 552
A recommended mike position for the girl is in close , in order to permit a breathy pick - up . Scene 3 : Speeches 45-67 . The effectiveness of this scene depends upon the credibility of the man . He's not a wolf , but a good hearted ...
A recommended mike position for the girl is in close , in order to permit a breathy pick - up . Scene 3 : Speeches 45-67 . The effectiveness of this scene depends upon the credibility of the man . He's not a wolf , but a good hearted ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York