Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
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Página 137
... practice promulgated by the NAB . In its more than forty years of existence , the organization , seeking to establish uniform practices through- out the industry , has drawn up several codes of self - regulation . The first " Code of ...
... practice promulgated by the NAB . In its more than forty years of existence , the organization , seeking to establish uniform practices through- out the industry , has drawn up several codes of self - regulation . The first " Code of ...
Página 255
... Practice " riding gain " on a single voice . Then practice on two voices and move into riding gain on two or three microphones . Open and close faders on cue or script markings . Follow hand movements by instructor in fading up or down ...
... Practice " riding gain " on a single voice . Then practice on two voices and move into riding gain on two or three microphones . Open and close faders on cue or script markings . Follow hand movements by instructor in fading up or down ...
Página 322
... practice . Memorization . Commercial announcements and program continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early days of television . When material is memorized , any mental ...
... practice . Memorization . Commercial announcements and program continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early days of television . When material is memorized , any mental ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York