Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
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Página 226
... script even though the audience is able to see the performer ; ( 2 ) read from script when " off camera " and memorize material for " on camera " appearances ; ( 3 ) rely upon " cue cards , " large pieces of cardboard containing a word ...
... script even though the audience is able to see the performer ; ( 2 ) read from script when " off camera " and memorize material for " on camera " appearances ; ( 3 ) rely upon " cue cards , " large pieces of cardboard containing a word ...
Página 290
... script for interpretation ? This question assumes that you will use the rehearsal period and mark the script for interpretation so that you do not have to depend entirely on recall or " doing it by rote " during the broadcast . Each ...
... script for interpretation ? This question assumes that you will use the rehearsal period and mark the script for interpretation so that you do not have to depend entirely on recall or " doing it by rote " during the broadcast . Each ...
Página 296
... script formats that appear throughout Part II of this book . Different stations , networks , agencies , and program packagers use their own script formats . Each example reproduced in this book ad- heres to the format used by the ...
... script formats that appear throughout Part II of this book . Different stations , networks , agencies , and program packagers use their own script formats . Each example reproduced in this book ad- heres to the format used by the ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York