Television and Radio |
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Página 290
The next time - mark on your script should be " 25 , " five minutes or seventy lines later ; then " 27 , " two minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk .
The next time - mark on your script should be " 25 , " five minutes or seventy lines later ; then " 27 , " two minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk .
Página 566
Read the script through without interruption to get an over - all impression of it . First impressions are important to the director because he knows the audience receives nothing but first impressions . 2. Reread the script carefully ...
Read the script through without interruption to get an over - all impression of it . First impressions are important to the director because he knows the audience receives nothing but first impressions . 2. Reread the script carefully ...
Página 567
Distribute scripts , assign parts , and allow time for the actors to mark their scripts . 2. Briefly explain the treatment you are going to follow in the script , outlining in general terms , describing the characterizations as you see ...
Distribute scripts , assign parts , and allow time for the actors to mark their scripts . 2. Briefly explain the treatment you are going to follow in the script , outlining in general terms , describing the characterizations as you see ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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Términos y frases comunes
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Información bibliográfica
| Título | Television and Radio |
| Autores | Giraud Chester, Garnet R. Garrison |
| Edición | 3 |
| Editor | Appleton-Century-Crofts, 1963 |
| Procedencia del original | Universidad de California |
| Digitalizado | 5 Mar 2008 |
| Largo | 659 páginas |
| Exportar cita | BiBTeX EndNote RefMan |