Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
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Página 466
... selection may cut into the walls or bottom of the grooves at the place where the selection starts . As a result an objectionable " pop " or surface noise may be transmitted . With instantaneous acetate transcriptions , which use softer ...
... selection may cut into the walls or bottom of the grooves at the place where the selection starts . As a result an objectionable " pop " or surface noise may be transmitted . With instantaneous acetate transcriptions , which use softer ...
Página 473
... selection title . This procedure continues until the director has rehearsal timings for each musical selection . He marks down theme timings , reading times for any commercials used on the program and introductions to the numbers , and ...
... selection title . This procedure continues until the director has rehearsal timings for each musical selection . He marks down theme timings , reading times for any commercials used on the program and introductions to the numbers , and ...
Página 534
... selection may provide a climax of some sort . It may be an intense scene played with a sharp dynamic attack , but it should be in your own age range . The fifth selection should provide as much contrast as you can handle , such as ...
... selection may provide a climax of some sort . It may be an intense scene played with a sharp dynamic attack , but it should be in your own age range . The fifth selection should provide as much contrast as you can handle , such as ...
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York