Television and Radio |
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Página 254
The two stereo signals are transmitted by means of a supersonic or subcarrier signal superimposed upon the main program channel . Special FM receivers are required for reception of the program as a stereo broadcast , although regular FM ...
The two stereo signals are transmitted by means of a supersonic or subcarrier signal superimposed upon the main program channel . Special FM receivers are required for reception of the program as a stereo broadcast , although regular FM ...
Página 275
MCR takes care of rerouting of the output from studios , tape , and film - projection , amplifies the signals , and makes additional checks on the quality of the pictures . It was noted earlier that occasionally the video controls ...
MCR takes care of rerouting of the output from studios , tape , and film - projection , amplifies the signals , and makes additional checks on the quality of the pictures . It was noted earlier that occasionally the video controls ...
Página 303
He will try to be in position to permit you to see the signals without turning your head . If you are on camera , do not acknowledge the signal by a head nod as is customary in radio . You may request the director to have the floor ...
He will try to be in position to permit you to see the signals without turning your head . If you are on camera , do not acknowledge the signal by a head nod as is customary in radio . You may request the director to have the floor ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York