Television and RadioAppleton-Century-Crofts, 1963 - 659 páginas |
Dentro del libro
Resultados 1-3 de 69
Página 513
... sound and then the other , bringing some into conscious focus and ignoring others . If a micro- phone replaced you where you are , it would not be able to differentiate to shifts in attention . Each sound would register according to its ...
... sound and then the other , bringing some into conscious focus and ignoring others . If a micro- phone replaced you where you are , it would not be able to differentiate to shifts in attention . Each sound would register according to its ...
Página 514
... sounds : a basic principle . Don't depend on sound to identify itself . Few sounds are absolutely self - identifying . In radio assist the listener either directly by specific identification by the program an- nouncer or in dialogue ...
... sounds : a basic principle . Don't depend on sound to identify itself . Few sounds are absolutely self - identifying . In radio assist the listener either directly by specific identification by the program an- nouncer or in dialogue ...
Página 519
... sound effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
... sound effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
Otras 45 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York