Television and Radio |
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Página 196
... is not learning from its teacher , teachers who engage in broadcasting sometimes ignore the equally obvious fact that listeners and viewers whose attention is not captured will turn to another station or turn off their receiver .
... is not learning from its teacher , teachers who engage in broadcasting sometimes ignore the equally obvious fact that listeners and viewers whose attention is not captured will turn to another station or turn off their receiver .
Página 407
44228 15 17 20 26 333333 32 32 35 41 43 28354 33 37 53 54 58 68 71 Flag PAST CAMERA AROUND TURN LS RACE INTO STRETCH AROUND TURN CROWD CAR SPINSSTALLS CARE IN FINAL STRETCH They're under the flag for a perfect start .
44228 15 17 20 26 333333 32 32 35 41 43 28354 33 37 53 54 58 68 71 Flag PAST CAMERA AROUND TURN LS RACE INTO STRETCH AROUND TURN CROWD CAR SPINSSTALLS CARE IN FINAL STRETCH They're under the flag for a perfect start .
Página 497
ROSIE IS INDUSTRIOUSLY DOING JUST ONE THING : SHE IS MARKING THE NUMBER 4 ON EACH PAGE OF THE LEDGER -- 4 , TURN THE PAGE , 4 , TURN THE PAGE , ETC. ( PAN DOWN : TO SHOW ROSIE'S WORK , THEN : END OF TEASER OUT OF COMMERCIAL ( SOUND ...
ROSIE IS INDUSTRIOUSLY DOING JUST ONE THING : SHE IS MARKING THE NUMBER 4 ON EACH PAGE OF THE LEDGER -- 4 , TURN THE PAGE , 4 , TURN THE PAGE , ETC. ( PAN DOWN : TO SHOW ROSIE'S WORK , THEN : END OF TEASER OUT OF COMMERCIAL ( SOUND ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York