Television and Radio |
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Página 282
This may appear on special " flip " or art cards usually 11 x 14 inches in size , on small " telops " ( or " balops " ) 4 x 5 inches , on 2 x 2 - inch slides , on long vertical or horizontal " pan " cards , and on " crawls , " long ...
This may appear on special " flip " or art cards usually 11 x 14 inches in size , on small " telops " ( or " balops " ) 4 x 5 inches , on 2 x 2 - inch slides , on long vertical or horizontal " pan " cards , and on " crawls , " long ...
Página 399
It is usually wise to take up national news , foreign news , labor news , and local news as separate units . Failure to maintain some organization in the news presentation tends to confuse many listeners . The choice of stories to be ...
It is usually wise to take up national news , foreign news , labor news , and local news as separate units . Failure to maintain some organization in the news presentation tends to confuse many listeners . The choice of stories to be ...
Página 449
Two cameras are usually placed close together at the fifty - yard line in the press box or on top of the grandstand . One camera , sometimes both , has a Zoomar lens . The third may be stationed alongside of the announcer for ...
Two cameras are usually placed close together at the fifty - yard line in the press box or on top of the grandstand . One camera , sometimes both , has a Zoomar lens . The third may be stationed alongside of the announcer for ...
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Contenido
Social Aspects of Broadcasting | 3 |
The Growth of American Radio 220 | 42 |
TV Broadcast Revenues Expenses and Income 1961 | 47 |
Derechos de autor | |
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action actual advertising agencies American announcer appear audience broadcast called camera close color commercial Commission Communications Company continuity designed developed direct director discussion educational effects engineer equipment example film give groups hand important interest interviews license light limited lines listening live look manager material means Michigan microphone minutes move OFFICE opening operation organizations performers period permit person picture play position possible practice prepared presented production questions radio and television receivers records responsibility scene schedule script selection serve shot signals sound speech standards stations story studio talk television and radio tion turn United usually various voice writing York