Elements of Criticism, Volumen1Garland Pub., 1972 |
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Página 6
... arts . The man who afpires to be a critic in these arts , muft pierce ftill deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a ...
... arts . The man who afpires to be a critic in these arts , muft pierce ftill deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a ...
Página 13
... arts ; but only , in general , to exhibit their fundamental principles , drawn from human nature , the true fource of cri- ticifin . The fine arts are intended to entertain us , by making pleasant impreffions ; and , by that cir ...
... arts ; but only , in general , to exhibit their fundamental principles , drawn from human nature , the true fource of cri- ticifin . The fine arts are intended to entertain us , by making pleasant impreffions ; and , by that cir ...
Página 33
... arts have to raise emotions and paffions . To thofe who would excel in the fine arts , that branch of knowledge is in- difpenfable ; for without it the critic , as well as the undertaker , ignorant of any rule , have no- thing left but ...
... arts have to raise emotions and paffions . To thofe who would excel in the fine arts , that branch of knowledge is in- difpenfable ; for without it the critic , as well as the undertaker , ignorant of any rule , have no- thing left but ...
Contenido
Introduction | 1 |
Caufes unfolded of the Emotions | 35 |
Caufes of the Emotions of | 57 |
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Elements of Criticism, Vol. 2 of 2 (Classic Reprint) Henry Home Kames Sin vista previa disponible - 2017 |
Términos y frases comunes
action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftance connected courſe cuſtom defcribing defire degree deſcription difagreeable dignity diſcover diſtinguiſhed diſtreſs eaſy effect elevation eſteem exiſtence expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fight fimilar fingle fingular fion firſt focial fome fometimes ftill fubject fublime fucceffion fuch fufficient fwell grandeur gratification greateſt habit happineſs hath himſelf Hudibras impreffion inftances inſtead itſelf ject juſt laſt lefs leſs meaſure mind moſt motion mufic muft muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffage paffion pain paſſion perceptions perfon pleaſant emotion pleaſure prefent produce produceth puniſhment purpoſes raiſed reaſon reflection reliſh reſemblance ridicule riety ſcarce ſelfiſh ſenſe Shakeſpear ſhall ſhould ſome ſpeak ſpectator ſtate ſtill ſtrong ſuch ſurpriſe taſte thefe themſelves theſe things thoſe thou tion uſe