The Actor And The TextRandom House, 2012 M02 29 - 304 páginas Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Página 11
... influenced us , etc. and to break from our habits of speech is often a huge step to take . And it is important always to remember the subjective nature of the voice , for it helps us to work through the limitations we make for ourselves ...
... influenced us , etc. and to break from our habits of speech is often a huge step to take . And it is important always to remember the subjective nature of the voice , for it helps us to work through the limitations we make for ourselves ...
Página 21
... influenced in this by television , where the more naturalistic the actor appears the better , though even this requires to be presented and needs great skill , but of a different kind . In all live performance. 21 SOUND AND MEANING.
... influenced in this by television , where the more naturalistic the actor appears the better , though even this requires to be presented and needs great skill , but of a different kind . In all live performance. 21 SOUND AND MEANING.
Página 285
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 286
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 287
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing