The Actor And The TextRandom House, 2012 M02 29 - 304 páginas Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Página 9
... particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main part of this book , then , deals with the Shakespeare and with the challenge of classical text speaking of and it ...
... particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main part of this book , then , deals with the Shakespeare and with the challenge of classical text speaking of and it ...
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... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
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Contenido
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Términos y frases comunes
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing