Milton's Epic Voice: The Narrator in Paradise LostHarvard University Press, 1963 - 187 páginas |
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Página 46
... begins in Hell , which existed before the creation of the world , or time , or men , and which in the theology of the poem provided the reason for the creation of that world and of man . The narrative voice must therefore interpret his ...
... begins in Hell , which existed before the creation of the world , or time , or men , and which in the theology of the poem provided the reason for the creation of that world and of man . The narrative voice must therefore interpret his ...
Página 81
... begins in a compound tense - the armies are like sedge scattered when Orion with his winds “ hath vext " the Red Sea ( I , 306 ) — because this is a recurring event , but then the time shifts to the simple past tense to tell of a ...
... begins in a compound tense - the armies are like sedge scattered when Orion with his winds “ hath vext " the Red Sea ( I , 306 ) — because this is a recurring event , but then the time shifts to the simple past tense to tell of a ...
Página 157
... begins his story to Raphael with a reference to the climbing sun ( VIII , 255 ) and ends it with an allusion which completes the cycle : the amorous Bird of Night Sung Spousal , and bid haste the Eevning Starr On his Hill top , to light ...
... begins his story to Raphael with a reference to the climbing sun ( VIII , 255 ) and ends it with an allusion which completes the cycle : the amorous Bird of Night Sung Spousal , and bid haste the Eevning Starr On his Hill top , to light ...
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Términos y frases comunes
abstract meanings Adam and Eve Adam's Fall Adam's story adjective allegory allusions angels Areopagitica argument asso associated beauty bird blind bard characters circle comparisons concrete and abstract contrast created creation critical darkness described device diction divine dramatic Earth elaborate epic introductions Eve's evoke experience express extended similes fables Faerie Queene fallen reader fallen world familiar feel Fortunate Fall God's guage Heaven Hell heroic illumination illustrate images inner light innocence inspired narrator interpretation invocation lines loss Lycidas Milton's epic mortal vision narrative voice narrator's nature noun Paradise Lost particular passage pastoral poetry pattern physical poet poetry qualities Raphael rator reality recognize references reminds sacred metaphors Samson Agonistes Satan scene sense shades shape share song speaker speech Spenser's story structure style syntax thee thir thou throughout the poem tion tone tradition true pastoral world truth unfallen unique unity vision words