57 L'ALLEGRO. HENCE, loathed Melancholy, Of Cerberus and blackest midnight born In Stygian cave forlorn, 'Mongst horrid shapes, and shrieks, and sights unholy! Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, And the night-raven sings: There under ebon shades, and low-browed rocks, As ragged as thy locks, In dark Cimmerian desert ever dɩ ell. 5 10 Line 2. Of Cerberus, &c.] Melancholy might have been imagined the offspring of Erebus, the legitimate husband of Night; and Dr. Newton conjectured that Milton chose Cerberus in order to imply something cynical, as well as monstrous and unnatural, in the disposition of Melancholy. But we have no doubt that our poet's favourite Ovid suggested to him the light-hating Cerberus. The triple-headed monster, when dragged by Hercules from the Stygian realm up into the earth's atmosphere, strove to avert his eyes from the offensive radiance of day: Restantem, contraque diem radiosque micantes But come, thou goddess fair and free, The frolic wind that breathes the spring, And fresh-blown roses washed in dew, 12. Euphrosyne.] This Greek name signifies hilarity or mirth. It was not unusual for a divinity to have one name in heaven, and another among mortals. Euphrosyne was one of the three Graces, the others being Aglaia and Thalia. Yclept, that is, clept, or called; the old English prefix y being a substitute for the Anglo-Saxon ge. In Milton we have perhaps only two instances of this form of the perfect participle, viz., that which occurs here, and the expression ychained, in his Ode on the Nity, 155. In his Epitaph on Shaxspeare the expression, 'a star-ypointing pyramid' is a license not well warranted, for the syllabic augment was scarcely ever prefixed to the present participle. Dr.smith, in his edition of Marsh's Lectures on the Eng. Lang., Note, p. 232, says: it is possible that Milton wrote ypointed, in which case meaning would be pointed, the or 15 20 We surmounted with a star.' the 17. As some sager sing.] As some more wisely celebrate thee. Milton is not here quoting from classical mythology, but expressing in mythological manner the opinion that mirth, instead of being produced by Bacchus and Venus, that is, by wine and love, is more wisely regarded as originating in such pleasure as that of the May morning, when young go forth to welcome the return of spring, and to make preparation for the May-day pastimes. The Graces were usually reputed the daughters of Jupiter and Eurynome; but it suited Milton's subject to make Euphrosyne the offspring either of Bacchus and Venus, or of Zephyrus and Aurora. 24. Buxom, blithe, &c.]-The word buxom, from the German Haste thee, nymph, and bring with thee Quips, and cranks, and wanton wiles; Nods, and becks, and wreathed smiles, beugsam, originally signified pliable, yielding, compliant; and such perhaps may be its signification here, although Trench (Select Glossary) thinks Milton's joining of buxom with blithe and debonair an evidence that the meaning common in earlier writers had passed away. Debonair means gentle; and buxom and blithe are associated epithets in Shakspeare's Pericles, i. 1, where Gower says: Who died, and left a female heir The buxom air,' that is, the yielding air, occurs oftener than once in Spenser, and Milton twice uses that phrase in his Par. Lost. 27. Quips and cranks.] A quip is a satirical joke; cranks, literally, crooks or windings, here means merry quibbles. The pretty quips and girds they gave to others were of no less force than the sharpest words and admonitions.'-North's Plutarch, Lycurgus. 'How liked you my quip to Hedon about the garter? was 't not Jonson's Cynthia's Revels, ii. 4. witty?'-Ben '[Men] able to show us the ways of the Lord straight and faithful as they are, not full of cranks and contradictions.'--Milton's Address to Parliament on the Doctrine, &c. of Divorce. 28. Wreathed.] Curled; forming wreaths on the face. 30. In dimple sleek.] So, in Fletcher's Faithful Shepherdess, i. 1: 'Not the smile lies watching in those dimples, to beguile the easy soul.' That derides or sets at nought 31. That wrinkled care derides.] wrinkled Care. So in Phineas Fletcher's Purple Island, iv. : Here sportful Laughter dwells, here ever Defles all lumpish Griefs and wrinkled 37. If I give thee, &c.] If the pleasures I have to propose are patronised by thee. To live with her, and live with thee, Oft listening how the hounds and horn Through the high wood echoing shrill; 41. To hear the lark, &c.] The poet here begins to propose to Mirth such unreproved, that is, innocent, pleasures as he would like to enjoy. The lark soaring to Heaven's gate to salute the approaching morn, is a favourite thought with the poets. Compare Paradise Regained, ii. 289. 45. Then to come, &c.] That is, the lark, when dawn arises, being then to come, deriding, or defying, sorrow. 48. Eglantine.] This is pro perly the sweet-brier; Milton meant the honey-suckle. 50. Scatters the rear, &c.] Dispels the lingering dimness. 57. Some time walking, &c.] Sometimes walking, not in gloomy solitude, but, as the poem presently tells us, in open sunshine, and where the ploughman, the milkmaid, &c., are about. 61. Amber light.] Amber coloured light. 62. Dight.] Dressed. The clouds are said to be dressed in |