Modern Metrical Technique: As Illustrated by Ballad Meter (1700-1920)Columbia University, 1922 - 120 páginas |
Dentro del libro
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Página 9
... Variation in type of foot . D. Usage . 1. Lack of specific esthetic effect . 2. Relation to structure of language . E. Conclusion . V. TRISYLLABIC SUBSTITUTION . A. Definition . B. History . 1. Before 1700 . 2. In the eighteenth century ...
... Variation in type of foot . D. Usage . 1. Lack of specific esthetic effect . 2. Relation to structure of language . E. Conclusion . V. TRISYLLABIC SUBSTITUTION . A. Definition . B. History . 1. Before 1700 . 2. In the eighteenth century ...
Página 14
... metrical variation : - ( 1 ) trisyllabic substitution , ( 2 ) the metrical pause , ( 3 ) the monosyllabic foot , and ( 4 ) dipodic verse . The exact definition of these categories is not a simple matter , and rather than risk confusion ...
... metrical variation : - ( 1 ) trisyllabic substitution , ( 2 ) the metrical pause , ( 3 ) the monosyllabic foot , and ( 4 ) dipodic verse . The exact definition of these categories is not a simple matter , and rather than risk confusion ...
Página 15
... metrical pause and the monosyllabic foot follow naturally . The chapter upon dipodic structure comes last since this variation represents the most difficult problem for analysis and may scarcely be said to be established even at the ...
... metrical pause and the monosyllabic foot follow naturally . The chapter upon dipodic structure comes last since this variation represents the most difficult problem for analysis and may scarcely be said to be established even at the ...
Página 21
... metrical study ; since there is no such thing as a poet's copy . The metrist is always confronted by the difficulty that a bold variation may in fact represent only a lapse of memory on the part of some old peasant who was reciting to ...
... metrical study ; since there is no such thing as a poet's copy . The metrist is always confronted by the difficulty that a bold variation may in fact represent only a lapse of memory on the part of some old peasant who was reciting to ...
Página 23
... variation . In the most regularized periods of the eighteenth century ballads were still being sung which did not differ appre- ciably in metrical form from the ballads recorded in much earlier periods . If the term popular poetry be ...
... variation . In the most regularized periods of the eighteenth century ballads were still being sung which did not differ appre- ciably in metrical form from the ballads recorded in much earlier periods . If the term popular poetry be ...
Otras ediciones - Ver todas
Modern Metrical Technique: As Illustrated by Ballad Meter (1700-1920) George R. Stewart Vista de fragmentos - 1922 |
Términos y frases comunes
allowed already Ancient appear attempt ballad line ballad meter become beginning Chapter characteristic closely common conclusion considered continued couplet definite difficulty dipodic verse dissyllabic distinct effect eighteenth century English equally established evidence example fact four frequently give Group half-lines hand important interval kind Kipling language largely later less literary maintain metrical pause metrical variation metrist monosyllabic foot movement nature number of syllables occasional occur offers omission ordinary original period poems poetry poets popular position possible practice present principle printed proportion question reader reason regular represents result rhyme rhythm scheme seems seven simple song speech stand stanza stress stressed syllable structure style syllables technique tend theory tion trisyllabic feet trisyllabic substitution trisyllabic verse trochaic units University unstressed usage usually variety vary whole writers
Pasajes populares
Página 61 - I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky Lay like a load on my weary eye, And the dead were at my feet.
Página 27 - Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head ; Because he knows, a frightful fiend Doth close behind him tread.
Página 91 - THE blessed damozel leaned out From the gold bar of Heaven ; Her eyes were deeper than the depth Of waters stilled at even ; She had three lilies in her hand, And the stars in her hair were seven. Her robe, ungirt from clasp to hem, No wrought flowers did adorn, But a white rose of Mary's gift, For service meetly worn ; Her hair that lay along her back Was yellow like ripe corn.
Página 36 - And it seem'd to a fanciful view To weep for the buds it had left, with regret, On the flourishing bush where it grew. I hastily seized it, unfit as it was For a nosegay, so dripping and drown'd, And swinging it rudely, too rudely, alas! I snapp'd it, it fell to the ground. And such...
Página 98 - John I must wander alone : In thy bower I may not be.' " ' Now, out on thee, faint-hearted knight ! Thou shouldst not say me nay ; For the eve is sweet, and when lovers meet, Is worth the whole summer's day.
Página 27 - Beyond the shadow of the ship, I watched the water-snakes : They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes. Within the shadow of the ship I watched their rich attire; Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire.
Página 36 - BELIEVE me, if all those endearing young charms, Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Like fairy-gifts fading away, Thou wouldst still be adored, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still.
Página 75 - There was a dwelling of kings ere the world was waxen old ; Dukes were the door-wards there, and the roofs were thatched with gold ; Earls were the wrights that wrought it, and silver nailed its doors; Earls...
Página 76 - Earls' wives were the weaving-women, queens' daughters strewed its floors, And the masters of its song-craft were the mightiest men that cast The sails of the storm of battle adown the bickering blast. There dwelt men merry-hearted, and in hope exceeding great Met the good days and the evil as they went the way of fate : . There the Gods were unforgotten, yea whiles they walked with men, Though e'en in that world's beginning rose a murmur now and again Of the midward time and the fading and the last...
Página 105 - Can you hear the crash on her bows, dear lass, And the drum of the racing screw, As she ships it green on the old trail, our own trail, the out trail, As she lifts and 'scends on the Long Trail — the trail that is always new?