Cinema of the Other Europe: The Industry and Artistry of East Central European FilmWallflower Press, 2003 - 224 páginas Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation. |
Dentro del libro
Resultados 1-5 de 88
Página iii
... EUROPE THE INDUSTRY AND ARTISTRY OF EAST CENTRAL EUROPEAN FILM Dina Iordanova WALLFLOWER PRESS LONDON & NEW YORK First published in Great Britain in 2003 by Wallflower Press.
... EUROPE THE INDUSTRY AND ARTISTRY OF EAST CENTRAL EUROPEAN FILM Dina Iordanova WALLFLOWER PRESS LONDON & NEW YORK First published in Great Britain in 2003 by Wallflower Press.
Página vi
The Industry and Artistry of East Central European Film Dina Iordanova. Chapter Six Part III : Films and Film - makers Women's Cinema , Women's Concerns Women in East Central European Cinema Reluctant Feminists 123 117 119 Women and ...
The Industry and Artistry of East Central European Film Dina Iordanova. Chapter Six Part III : Films and Film - makers Women's Cinema , Women's Concerns Women in East Central European Cinema Reluctant Feminists 123 117 119 Women and ...
Página ix
The Industry and Artistry of East Central European Film Dina Iordanova. ACKNOWLEDGMENTS First and foremost , I would like to thank those from whom I have been learning about East Central European cinema over many years ; my gratitude in ...
The Industry and Artistry of East Central European Film Dina Iordanova. ACKNOWLEDGMENTS First and foremost , I would like to thank those from whom I have been learning about East Central European cinema over many years ; my gratitude in ...
Página 1
... Eastern part of Europe remains largely excluded from the concept of European cinema . While all European nations are believed to be part of a relatively homogeneous cultural and intellectual community , the culture of East Central Europe ...
... Eastern part of Europe remains largely excluded from the concept of European cinema . While all European nations are believed to be part of a relatively homogeneous cultural and intellectual community , the culture of East Central Europe ...
Página 2
... East Central European cinema , the approaches in separate sections vary and the result is occasionally eclectic . In every case , an investigation into the cultural policies and industry set - up of the institutions of cinema is ...
... East Central European cinema , the approaches in separate sections vary and the result is occasionally eclectic . In every case , an investigation into the cultural policies and industry set - up of the institutions of cinema is ...
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ... Dina Iordanova Vista de fragmentos - 2003 |
Términos y frases comunes
Agnieszka Andrzej Wajda animation approach artistic Barrandov censorship Central European cinema Central European film chapter cinema of moral comedy communal Communist context countries critical cultural Czech Republic Czechoslovak New Wave Czechoslovakia directors discussed documentary East Central Europe East Central European East European Cinema East German Eastern Bloc émigré ethical European cinema example existential explore female feminist Film Festival film industry film production flashbacks focus focused genre heritage historical film Holocaust Hungarian film Hungary important individual interest issues István Szabó Jakubisko Jan Němec Jerzy Jiří Menzel Krzysztof Kieślowski Krzysztof Zanussi Love Mészarós migrations Miklós Jancsó Miloš Forman moral concern mother Munk Munk's narrative national cinemas particularly period Péter Poland Polanski Polish cinema political post-Communist Prague protagonist range region relationship Romani Russian sexuality Skolimowski Slovak social Socialist Realism Soviet Union specific Stalinism story surrealist themes totalitarianism tradition Věra Chytilová village West Western woman women Zoltán Fábri
Pasajes populares
Página ix - Parts of chapters four, six and seven draw on papers and talks given at a variety of locations - at the American Association of Teachers of Slavic and Eastern European Languages ( AATSEEL) and American Association for the Advancement of Slavic Studies (AAASS...