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[The following poems, with one exception, were written at sea, in the latter part of October, 1842. I had not then heard of Dr. Channing's death. Since that event, the poem addressed to him is no longer appropriate. I have decided, however, to let it remain as it was written, in testimony of my admiration for a great and good man.]

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THE GOOD PART.-THE SLAVE IN THE DISMAL SWAMP.

The forests, with their myriad tongues,

Shouted of liberty;

And the Blast of the Desert cried aloud,
With a voice so wild and free,
That he started in his sleep and smiled
At their tempestuous glee.

He did not feel the driver's whip,

Nor the burning heat of day;

For Death had illumined the Land of Sleep, And his lifeless body lay

A worn-out fetter, that the soul

Had broken and thrown away!

And then at furious speed he rode.

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THE GOOD PART,

THAT SHALL NOT BE TAKEN AWAY.

SHE dwells by Great Kanawha's side,
In valleys green and cool;
And all her hope and all her pride
Are in the village school.

Her soul, like the transparent air
That robes the hills above,
Though not of earth, encircles there
All things with arms of love.

And thus she walks among her girls
With praise and mild rebukes;
Subduing e'en rude village churls
By her angelic looks.

She reads to them at eventide
Of One who came to save;

To cast the captive's chains aside
And liberate the slave.

And oft the blessed time foretells
When all men shall be free;
And musical, as silver-bells,
Their falling chains shall be.

And following her beloved Lord,
In decent poverty,

She makes her life one sweet record
And deed of charity.

For she was rich, and gave up all
To break the iron bands
Of those who waited in her hall,
And labored in her lands.

Long since beyond the Southern Sea
Their outbound sails have sped,
While she, in meek humility,
Now earns her daily bread.

It is their prayers, which never cease,
That clothe her with such grace;
Their blessing is the light of peace
That shines upon her face.

THE SLAVE IN THE DISMAL SWAMP.

IN dark fens of the Dismal Swamp
The hunted Negro lay;

He saw the fire of the midnight camp,
And heard at times a horse's tramp
And a bloodhound's distant bay.

Where will-o'-the-wisps and glow-worms shine
In bulrush and in brake;

Where waving mosses shroud the pine,
And the cedar grows, and the poisonous vine
Is spotted like the snake;

Where hardly a human foot could pass,

Or a human heart would dare,
On the quaking turf of the green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.

A poor old slave, infirm and lame;
Great scars deformed his face;

On his forehead he bore the brand of shame,
And the rags, that hid his mangled frame,
Were the livery of disgrace.

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THE SLAVE SINGING AT MIDNIGHT.—THE QUADROON GIRL.

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ACT I.

SCENE I. The COUNT OF LARA's chambers.
Night. The COUNT in his dressing-gown,
smoking and conversing with DON CARLOS.
Lara. You were not at the play to-night, Don
Carlos;

How happened it?

Don C. I had engagements elsewhere.
Pray who was there?

Lara. Why, all the town and court.
The house was crowded; and the busy fans
Among the gayly dressed and perfumed ladies
Fluttered like butterflies among the flowers.
There was the Countess of Medina Celi;
The Goblin Lady with her Phantom Lover,
Her Lindo Don Diego; Doña Sol,
And Doña Serafina, and her cousins.
Don C. What was the play?
Lara.

I saw her in the Prado yesterday.
Her step was royal,-queen-like,--and her face
As beautiful as a saint's in Paradise.
Lara. May not a saint fall from her Paradise,
And be no more a saint?

Don C.
Why do you ask?
Lara. Because I have heard it said this angel
fell,

And though she is a virgin outwardly
Within she is a sinner; like those panels

Of doors and altar-pieces the old monks
Painted in convents, with the Virgin Mary
On the outside, and on the inside Venus!
Don C. You do her wrong; indeed, you do
her wrong!

She is as virtuous as she is fair.

Lara. How credulous you are! Why look you, friend,

There's not a virtuous woman in Madrid,

It was a dull affair; In this whole city! And would you persuade

One of those comedies in which you see,
As Lope says, the history of the world
Brought down from Genesis to the Day of Judg-

ment.

There were three duels fought in the first act,
Three gentlemen receiving deadly wounds,
Laying their hands upon their hearts, and saying,
"O, I am dead!" a lover in a closet,
An old hidalgo, and a gay Don Juan,
A Doña Inez with a black mantilla,
Followed at twilight by an unknown lover,
Who looks intently where he knows she is not!
Don C. Of course, the Preciosa danced to-
night?

Lara. And never better. Every footstep fell
As lightly as a sunbeam on the water.

I think the girl extremely beautiful.

me

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Nay, not to be won at all!
The only virtue that a Gypsy prizes
Is chastity. That is her only virtue.
Dearer than life she holds it. I remember
A Gypsy woman, a vile, shameless bawd,
Whose craft was to betray the young and fair;
And yet this woman was above all bribes.

Don C. Almost beyond the privilege of wo- And when a noble lord, touched by her beauty,

man!

The wild and wizard beauty of her race,

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