Literary Theory and CriticismCourier Corporation, 2012 M05 4 - 224 páginas This essential anthology of Poe's critical works features items from the Southern Literary Messenger, Graham's Magazine, and other periodicals, reviewing works by Dickens, Hawthorne, Cooper, and many others. The Theory of Poetry — consisting of "The Philosophy of Composition," "The Rationale of Verse," and "The Poetic Principle" — appears as well. Introduction. |
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... object of Prefaces in general, and what is the meaning of Mr. Fay's Preface in particular? As far as we can understand the plot of Norman Leslie, it is this. A certain family reside in Italy—“independent,” “enlightened,” “affectionate ...
... object of Prefaces in general, and what is the meaning of Mr. Fay's Preface in particular? As far as we can understand the plot of Norman Leslie, it is this. A certain family reside in Italy—“independent,” “enlightened,” “affectionate ...
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... object be deserving—who is everlastingly talking of his foe “sleeping in the same red grave with himself,” as if American sextons made a common practice of burying two people together—and, who having not a sous in his pocket at page 86 ...
... object be deserving—who is everlastingly talking of his foe “sleeping in the same red grave with himself,” as if American sextons made a common practice of burying two people together—and, who having not a sous in his pocket at page 86 ...
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... objects to be detailed, and a very moderate endowment of the faculty of Comparison —which is the chief constituent of Fancy or the powers of combination. A thousand such lines may be composed without exercising in the least degree the ...
... objects to be detailed, and a very moderate endowment of the faculty of Comparison —which is the chief constituent of Fancy or the powers of combination. A thousand such lines may be composed without exercising in the least degree the ...
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... objects, inartificially put together, and unaccompanied by any moral sentiment— but a being, in the illustration of whose nature some physical elements are used collaterally as adjuncts, while the main conception springs immediately or ...
... objects, inartificially put together, and unaccompanied by any moral sentiment— but a being, in the illustration of whose nature some physical elements are used collaterally as adjuncts, while the main conception springs immediately or ...
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... objects, each individually of great beauty, and, if actually seen as in nature, capable of exciting in any mind, through the means of the Poetic Sentiment more or less inherent in all, a certain sense of the beautiful. But to view such ...
... objects, each individually of great beauty, and, if actually seen as in nature, capable of exciting in any mind, through the means of the Poetic Sentiment more or less inherent in all, a certain sense of the beautiful. But to view such ...
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accented admiration Alnwick Castle American anapæst artist bastard beautiful better Broadway Journal cæsura called catalectic character Clairmont composition critical dactyl Dickens distinct edition effect English equality essay example excitement expression eyes fact fancy feeling feet foot genius Grammar Greek Hawthorne heart Henry Wadsworth Longfellow hexameter iambic iambus idea illustrations imagination imitation instance length Leslie lines literature long syllable Longfellow Lowell Magazine matter means merely merit mind Miss Fuller nature never Nevermore novel o’er object obvious opinion originality Philosophy of Composition plagiarism Poe’s poem poet Poetic Sentiment poetry popular precisely principle prose Prosodies published reader regard rhyme rhythm satire scansion sense short syllables soul Southern Literary Messenger speak spondee stanza story tale thing Thomas Dunn English thought trochaic trochee true truth Twice-Told Tales verse versification volume whole William Willoughby words write written Wyandotté