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with instances of confidants who are not to be relied on, and friends who are not to be trusted; but few perhaps have thought it a character so well worth their attention, as to have marked out the different degrees into which it may be divided, and the different methods by which secrets are communicated.

Ned Trusty is a tell-tale of a very singular kind. Having some sense of his duty, he hesitates a little at the breach of it. If he engages never to utter a syllable, he most punctually performs his promise; but then he has the knack of insinuating by a nod, and a shrug well-timed, or a seasonable leer, as much as others can convey in express terms. It is difficult, in short, to determine whether he is more to be admired for his resolution in not mentioning, or his ingenuity in disclosing, a secret. He is also excellent at a doubtful phrase, as Hamlet calls it, or ambiguous giving out, and his conversation consists chiefly of such broken inuendoes as- -"well I know-or I could-and if I would —or, if I list to speak-or there be, and if there might, &c."

Here he generally stops; and leaves it to his hearers to draw proper inferences from these piecemeal premises. With due encouragement however he may be prevailed on to slip the padlock from his lips, and immediately overwhelms you with a torrent of secret history, which rushes forth with more violence for having been so long confined.

Poor Meanwell, though he never fails to trans

gress, is rather to be pitied than condemned. Το trust him with a secret is to spoil his appetite, to break his rest, and to deprive him for a time of every earthly enjoyment. Like a man who travels with his whole fortune in his pocket, he is terrified if you approach him, and immediately suspects that you come with a felonious intent to rob him of his charge. If he ventures abroad, it is to walk in some unfrequented place, where he is least in danger of an attack. At home, he shuts himself up from his family, paces to and fro his chamber, and has no relief but from muttering over to himself what he longs to publish to the world; and would gladly submit to the office of town-crier, for the liberty of proclaiming it in the market-place. At length, however, weary of his burden and resolved to bear it no longer, he consigns it to the custody of the first friend he meets, and returns to his wife with a cheerful aspect, and wonderfully altered for the better.

Careless is perhaps equally undesigning, though not equally excusable. Intrust him with an affair of the utmost importance, on the concealment of which your fortune and happiness depend, he hears you with a kind of half attention, whistles a fa vourite air, and accompanies it with the drumming of his fingers upon the table. As soon as your narration is ended, or perhaps in the middle of it, he asks your opinion of his swordknot-condemns his tailor for having dressed him in a snuff-coloured coat instead of a pompadour, and leaves you in haste to attend an auction, where, as if he meant to dispose

of his intelligence to the best bidder, he divulges it with a voice as loud as an auctioneer's; and, when you tax him with having played you false, he is heartily sorry for it, but never knew that it was to be a secret.

To these I might add the character of the open and unreserved, who thinks it a breach of friendship to conceal any thing from his intimates; and the impertinent, who, having by dint of observation made himself master of your secret, imagines he may lawfully publish the knowledge it cost him so much labour to obtain, and considers that privilege as the reward due to his industry. But I shall leave these, with many other characters which my reader's own experience may suggest to him, and conclude with prescribing, as a short remedy for this evil, that no man may betray the counsel of his friend―let every man keep his own.

No. CXXXIV.

Delicta majorum immeritus lues,
Romane, donec templa refeceris
Edesque labentes Deorum, et

Fœda nigro simulacra fumo.-HOR.

The tott'ring tow'r and mould'ring wall repair,
And fill with decency the house of pray'r;
Quick to the needy curate bring relief,
And deck the parish-church without a brief.

MR. VILLAGE TO MR. TOWN.

Dear Cousin-The country at present, no less than the metropolis, abounding with politicians or

every kind, I begin to despair of picking up any intelligence that might possibly be entertaining to your readers. However, I have lately visited some of the most distant parts of the kingdom with a clergyman of my acquaintance: I shall not trouble you with an account of the improvements that have been made in the seats we saw, according to the modern taste, but proceed to give you some reflections which occurred to us in observing several country churches, and the behaviour of their congregations.

The ruinous condition of some of these edifices gave me great offence; and I could not help wishing that the honest vicar, instead of indulging his genius for improvements, by enclosing his gooseberry-bushes with a Chinese rail, and converting half an acre of his glebe land into a bowling-green, would have applied part of his income to the more laudable purpose of sheltering his parishioners from the weather during their attendance on divine service. It is no uncommon thing to see the parsonagehouse well thatched, and in exceeding good repair, while the church, perhaps, has scarce any other roof than the ivy that grows over it. The noise of owls, bats, and magpies, makes the principal part of the church music in many of these ancient edifices; and the walls, like a large map, seem to be portioned out into capes, seas, and promontories, by the various colours by which the damps have stained them. Sometimes, the foundation being too weak to support the steeple any longer, it has been found expedient to pull down that part of the building,

and to hang the bells under a wooden shed on the ground beside it. This is the case in a parish in Norfolk, through which I lately passed, and where the clerk and the sexton, like the two figures of St. Dunstan's, serve the bells in the capacity of clappers, by striking them alternately with a hammer.

In other churches, I have observed that nothing unseemly or ruinous is to be found, except in the clergyman, and the appendages of his person. The 'squire of the parish, or his ancestors, perhaps, to testify their devotion and leave a lasting monument of their magnificence, have adorned the altar-piece with the richest crimson velvet, embroidered with vine-leaves and ears of wheat; and have dressed up the pulpit with the same splendour and expense; while the gentleman who fills it, is exalted in the midst of all this finery, with a surplice as dirty as a farmer's frock, and a periwig that seems to have transferred its faculty of curling to the band which appears in full buckle beneath it.

But if I was concerned to see several distressed pastors, as well as many of our country churches in a tottering condition, I was more offended with the indecency of worship in others. I could wish that the clergy would inform their congregations, that there is no occasion to scream themselves hoarse

in making their responses; that the town-crier is not the only person qualified to pray with true devotion; and that he who bawls the loudest, may nevertheless be the wickedest fellow in the parish. The old women too in the aisle might be told, that their time would be better employed in attending to

VOL. VII.

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