That thou had'st call'd me all these bitter names. Glo. 'Tis done by me; and ends in-Margaret. yourself. Q. Mar. Poor painted queen, vain flourish of my fortune! Why strew'st thou sugar on that bottled spider, Whose deadly web ensnareth thee about? Fool, fool! thou whet'st a knife to kill thyself. The day will come, that thou shalt wish for me To help thee curse this pois'nous bunch-back toad. Hast. False-boding woman, end thy frantic curse; Lest, to thy harm, thou move our patience. Q. Mar. Foul shame upon you! you have all mov'd mine. Ri. Were you well serv'd, you would be taught your duty. Q. Mar. To serve me well, you all should do me duty, Teach me to be your queen, and you my subjects: O, serve me well, and teach yourselves that duty. Dors. Dispute not with her, she is lunatic. Q. Mar. Peace, master marquis, you are malapert: Your fire-new stamp of honour is scarce current: O, that your young nobility could judge, What 'twere to lose it, and be miserable ! They that stand high, have many blasts to shake them; And, if they fall, they dash themselves to pieces. Glo. Good counsel, marry ;-learn it, learn it, marquis. Dors. It touches you, my lord, as much as me. Glo. Ay, and much more: But I was born so high, Our aiery buildeth in the cedar's top, And dallies with the wind, and scorns the sun. Q. Mar. And turns the sun to shade;-alas! alas!- Your aiery buildeth in our aiery's nest :- [3] A bottled spider is a large, bloated, glossy spider; supposed to contain venom proportionate to its size. The expression occurs again in Act IV: "That bottled spider, that foul bunch-back'd toad." RITSON. [4] Her distress cannot prevent her quibbling. It may be here remarked, that the introduction of Margaret in this place, is against all historical evidence. She was ransomed and sent to France soon after Tewksbury fight, and there passed the re mainder of her wretched life. RITSON. [5] An avery is a hawk's or an eagle's uest. STEEVENS. Buck. Peace, peace, for shame, if not for charity. Q. Mar. O princely Buckingham, I kiss thy hand, Buck. Nor no one here; for curses never pass Q. Mar. I'll not believe but they ascend the sky, Glo. What doth she say, my lord of Buckingham? And sooth the devil that I warn thee from? O, but remember this another day, [counsel? When he shall split thy very heart with sorrow; And he to yours, and all of you to God's! [Exit. Hast. My hair doth stand on end to hear her curses. Riv. And so doth mine; I muse, why she's at liberty. Glo, I cannot blame her, by God's holy mother; She hath had too much wrong, and I repent My part thereof, that I have done to her. Q. Eliz. I never did her any, to my knowledge. I was too hot to do some body good, [6] Possibly Milton took from hence the hint of his famous allegory. BLACKST. God pardon them that are the cause thereof! Riv. A virtuous and a Christian-like conclusion, To pray for them that have done scath to us. Enter CATESBY. Cates. Madam, his majesty doth call for you, [Aside. And for your grace, and you, my noble lords. [Exeunt all but GLOSTER. Glo. I do the wrong, and first begin to brawl. The secret mischiefs that I set abroach, Enter two Murderers. 1 Mur. We are, my lord; and come to have the warrant, That we may be admitted where he is. Glo. Well thought upon, I have it here about me : [Gives the warrant. When you have done, repair to Crosby-place. Withal obdurate, do not hear him plead; For Clarence is well spoken, and, perhaps, May move your hearts to pity, if you mark him. phor to Clarence, in allusion to the crest of the family of York, which was a bear, Whereto relate those famous old verses on Richard III: "The cat, the rat, and Lovel the dog, Rule all England under a hog." He uses the same metaphor in the last scene of Act IV. POPE. [8] Scath is harm, mischief. STEEVENS. ; 1 Mur. Tut, tut, my lord, we will not stand to prate, Talkers are no good doers; be assur'd, We go to use our hands, and not our tongues. Glo. Your eyes drop mill-stones, when fools' eyes drop tears: I like you, lads ;-about your business straight; 1 Mur. We will, my noble lord. SCENE IV. [Exeunt. The same. A room in the Tower. Enter CLARENCE and BRAKENBURY. Brak. Why looks your grace so heavily to-day? So full of fearful dreams, of ugly sights, Brak. What was your dream, my lord? I pray you, tell me. Clar. Methought, that I had broken from the Tower, And was embark'd to cross to Burgundy; And, in my company, my brother Gloster : Upon the hatches; thence we look'd toward England, O Lord! methought, what pain it was to drown! Some lay in dead men's sculls; and, in those holes [9] Not an infidel. JOHNSON. [1] Unvalued is here used for invaluable. MALONE. Where eyes did once inhabit, there were crept Clar. Methought, I had; and often did I strive Brak. Awak'd you not with this sore agony? Brak. No marvel, lord, though it affrighted you; Clar. O, Brakenbury, I have done these things,'That now give evidence against my soul, [2] By seeming to gaze upon it; or, as we now say, ogle it. JOHNSON. [3] Lee has transplanted this image into his Mithridates, Act IV. sc. i. "I slept; but oh, a dream so full of terror, The pale, the trembling midnight ravisher Ne'er saw, when cold Lucretia's mourning shadow His curtains drew, and lash'd him in his eyes With her bright tresses, dabbled in her blood." STLEVENS. [4] Fleeting is the same as changing sides. JOHNSON. 3 VOL, VII. B2 1 |