Television and Radio |
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Página 36
... actual events for airing at subsequent hours . Radio documentaries , casting the factual matter of the war into dramatic and semidramatic programs , were hailed as powerful new art forms . In the field of special events , radio again ...
... actual events for airing at subsequent hours . Radio documentaries , casting the factual matter of the war into dramatic and semidramatic programs , were hailed as powerful new art forms . In the field of special events , radio again ...
Página 467
... actual performance on camera . Lip sync movement is used as the lyrics are heard . Directors usually refrain from too many close - ups on such numbers , shooting the dance in medium or long shots . It is important that the sound be ...
... actual performance on camera . Lip sync movement is used as the lyrics are heard . Directors usually refrain from too many close - ups on such numbers , shooting the dance in medium or long shots . It is important that the sound be ...
Página 570
... actual performance tend to stretch death or sentimental scenes , so anticipate this and cut enough to compensate . Also cut enough to give you twenty to thirty seconds to " play with . " Many amateurs tend to pick up speed on the actual ...
... actual performance tend to stretch death or sentimental scenes , so anticipate this and cut enough to compensate . Also cut enough to give you twenty to thirty seconds to " play with . " Many amateurs tend to pick up speed on the actual ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York