Television and Radio |
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Página 383
... ad - lib style , but do not attempt to incorporate all the repetitions , interruptions , and hesitations , nor write in the exact same loose style . Re- hearse delivery and present for class as an ad - lib interview . See if the class ...
... ad - lib style , but do not attempt to incorporate all the repetitions , interruptions , and hesitations , nor write in the exact same loose style . Re- hearse delivery and present for class as an ad - lib interview . See if the class ...
Página 417
... ( AD LIB SEARCH AND DIFFICULTY IN FINDING SUITABLE SONGS OF THIS TYPE FOR CHILDREN ) ARLENE : And the songs in the book , are they both original and old favorites ? OHANIAN : ( AD LIB 100 ORIGINAL AND 59 FOLK AND CHURCH SONGS ) ARLENE ...
... ( AD LIB SEARCH AND DIFFICULTY IN FINDING SUITABLE SONGS OF THIS TYPE FOR CHILDREN ) ARLENE : And the songs in the book , are they both original and old favorites ? OHANIAN : ( AD LIB 100 ORIGINAL AND 59 FOLK AND CHURCH SONGS ) ARLENE ...
Página 460
... ad libs , however , may have been carefully prepared in advance . Some comedy- gag writers , for example , may write in malapropisms or slips of the tongue followed by the appropriate " ad - lib " recovery . Dependence upon actual ad ...
... ad libs , however , may have been carefully prepared in advance . Some comedy- gag writers , for example , may write in malapropisms or slips of the tongue followed by the appropriate " ad - lib " recovery . Dependence upon actual ad ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York