Television and Radio |
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Página 245
... ( audio current ) which travel over special microphone cable into the control room . The first stop is at the studio control console . Here a preamplifier strengthens the weak audio current and it passes through a gain control known as a ...
... ( audio current ) which travel over special microphone cable into the control room . The first stop is at the studio control console . Here a preamplifier strengthens the weak audio current and it passes through a gain control known as a ...
Página 269
... audio controls , console , and turntables are handled by an audio engineer . An assistant or associate director ( AD ) may also be in the control room following the script closely , giving warnings of up - coming shots and pre ...
... audio controls , console , and turntables are handled by an audio engineer . An assistant or associate director ( AD ) may also be in the control room following the script closely , giving warnings of up - coming shots and pre ...
Página 609
... Audio Station Identification Audio Close 2. The audio portion of the station identification will follow the audio portion of the commercial . 3. The commercial copy will occupy three - quarters of the screen area , leaving the upper ...
... Audio Station Identification Audio Close 2. The audio portion of the station identification will follow the audio portion of the commercial . 3. The commercial copy will occupy three - quarters of the screen area , leaving the upper ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York