Television and Radio |
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Página 270
... close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is sometimes referred to as an orientation or establishing shot . It aids in indicating " the lay of the land , " and the ...
... close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is sometimes referred to as an orientation or establishing shot . It aids in indicating " the lay of the land , " and the ...
Página 378
... close - ups as they look at each other . A general principle to follow is : " Never force lay people to assume the role of professional talent . " Instead , the director should plan to place them so that the cameras can shoot them ...
... close - ups as they look at each other . A general principle to follow is : " Never force lay people to assume the role of professional talent . " Instead , the director should plan to place them so that the cameras can shoot them ...
Página 489
... close - up of his hand going limp . The various camera shots of Paul are interspersed by camera shots of a French sniper . The sniper loads his rifle and aims it ; a close - up of his fingers reveals that the trigger is being pressed ...
... close - up of his hand going limp . The various camera shots of Paul are interspersed by camera shots of a French sniper . The sniper loads his rifle and aims it ; a close - up of his fingers reveals that the trigger is being pressed ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York
Información bibliográfica
| Título | Television and Radio |
| Autor | Giraud Chester, Garnet R. Garrison, Edgar E. Willis |
| Publicado | 1963 |
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