Television and Radio |
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Página 26
... direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow . Advertising was limited , therefore , to the ...
... direct advertising messages as being in poor taste for a communications medium that entered the privacy of the home with no forewarning as to the nature of the messages that would follow . Advertising was limited , therefore , to the ...
Página 199
... Direct Classroom Teaching . Educational programs on radio and tele- vision have been used for direct classroom teaching in various public school systems , colleges , and universities , and by United States Military organ- izations . A ...
... Direct Classroom Teaching . Educational programs on radio and tele- vision have been used for direct classroom teaching in various public school systems , colleges , and universities , and by United States Military organ- izations . A ...
Página 260
... Direct access to studio , dressing rooms , etc. THREE KINDS OF THINGS 1. Scenery and props stored on premises . Direct access between storage , shops , and studio . 2. Technicians : direct- ors ; camera , mike , light- ing men ...
... Direct access to studio , dressing rooms , etc. THREE KINDS OF THINGS 1. Scenery and props stored on premises . Direct access between storage , shops , and studio . 2. Technicians : direct- ors ; camera , mike , light- ing men ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York