Television and Radio |
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Página 57
But it was certainly not true of comedy , variety , and drama , the main staples of network program fare . Nor could television handle music programming easily not records , certainly , and even orchestral concerts presented tele- ...
But it was certainly not true of comedy , variety , and drama , the main staples of network program fare . Nor could television handle music programming easily not records , certainly , and even orchestral concerts presented tele- ...
Página 482
28 Television and Radio Drama " WHEREVER AND WHENEVER humans have progressed beyond the mere struggle for physical existence , to gods and recreation and self - expression , there has been theatre in some sense ; an inevitable place for ...
28 Television and Radio Drama " WHEREVER AND WHENEVER humans have progressed beyond the mere struggle for physical existence , to gods and recreation and self - expression , there has been theatre in some sense ; an inevitable place for ...
Página 492
that is a drama can have only one story . It can have only one leading character . All other stories and all other characters are used in the script only as they facilitate the main story . " 15 Although radio dramas permit considerable ...
that is a drama can have only one story . It can have only one leading character . All other stories and all other characters are used in the script only as they facilitate the main story . " 15 Although radio dramas permit considerable ...
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York