Television and Radio |
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Página 231
Whenever a " nemo " or remote ( a program away from the studio ) is broad- cast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC pre- scribes ...
Whenever a " nemo " or remote ( a program away from the studio ) is broad- cast , an engineer or combination announcer - engineer is in attendance with the remote amplifying equipment and microphones . Since the FCC pre- scribes ...
Página 232
In the control room we find the same engineer handling the audio equipment , turning on the microphones and supervising the voice levels throughout the broadcast , but he has been joined by a video engineer who handles control units for ...
In the control room we find the same engineer handling the audio equipment , turning on the microphones and supervising the voice levels throughout the broadcast , but he has been joined by a video engineer who handles control units for ...
Página 300
This is a problem in human engineering which affects you and me .... but the profession of human engineering may be ... is advertising for many different types of professional people ... and one of those they seek is a human engineer .
This is a problem in human engineering which affects you and me .... but the profession of human engineering may be ... is advertising for many different types of professional people ... and one of those they seek is a human engineer .
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York