Television and Radio |
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Página 119
... Interest ? THE " public interest , convenience , or necessity , " as stated in the Com- munications Act of 1934 , is the touchstone of American broadcasting . But what is the public interest ? How is it to be determined ? Who shall make ...
... Interest ? THE " public interest , convenience , or necessity , " as stated in the Com- munications Act of 1934 , is the touchstone of American broadcasting . But what is the public interest ? How is it to be determined ? Who shall make ...
Página 120
... interest includes and what it does not include . Most of these statements are made ad hoc , that is to say , in connection with specific cases that come before the Commission in its exercise of the power to grant , renew , or revoke ...
... interest includes and what it does not include . Most of these statements are made ad hoc , that is to say , in connection with specific cases that come before the Commission in its exercise of the power to grant , renew , or revoke ...
Página 131
... interest appears to be served by continuing to stress local live programs exclusively at the expense of these other categories . Nevertheless , reasonable provision for local self - expression still remains an essential function of a ...
... interest appears to be served by continuing to stress local live programs exclusively at the expense of these other categories . Nevertheless , reasonable provision for local self - expression still remains an essential function of a ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York