Television and Radio |
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Página 70
... license , although it has been proposed at various times that license fees should be charged that would at least cover the cost of operating the Commission and main- taining its field offices . The Commission has no direct authority to ...
... license , although it has been proposed at various times that license fees should be charged that would at least cover the cost of operating the Commission and main- taining its field offices . The Commission has no direct authority to ...
Página 122
... license or , if the fraud is discovered at a later date , to revoke the license . In the WOKO case , decided in 1945 , the Commission refused to renew the license of WOKO because it had concealed the real ownership of 24 per cent of its ...
... license or , if the fraud is discovered at a later date , to revoke the license . In the WOKO case , decided in 1945 , the Commission refused to renew the license of WOKO because it had concealed the real ownership of 24 per cent of its ...
Página 123
... license . The authority of the Commission to deny a license for material untrustworthiness of the licensee , if established after appropriate hearings , seems beyond dispute . Programming and Related Activities Public interest VERSUS ...
... license . The authority of the Commission to deny a license for material untrustworthiness of the licensee , if established after appropriate hearings , seems beyond dispute . Programming and Related Activities Public interest VERSUS ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York