Television and Radio |
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Página 139
... ment of the viewers . ( c ) Should provide for reasonable experimentation in the develop- ment of programs specifically directed to the advancement of the community's culture and education . Acceptability of Program Material Program ...
... ment of the viewers . ( c ) Should provide for reasonable experimentation in the develop- ment of programs specifically directed to the advancement of the community's culture and education . Acceptability of Program Material Program ...
Página 312
... ment is acceptable if it is in keeping with the product and the program , but if the announcer resorts to " shouting " or " barking " for emphasis , he may make the audience weary of him . Word Color . Word color is closely related to ...
... ment is acceptable if it is in keeping with the product and the program , but if the announcer resorts to " shouting " or " barking " for emphasis , he may make the audience weary of him . Word Color . Word color is closely related to ...
Página 586
... ment nature of the majority of the films ; ( 4 ) absence of " name " personali- ties ; and ( 5 ) lack of continuity between films . Commercial and Syndicated Series . These are films , either a half - hour or an hour in length , which ...
... ment nature of the majority of the films ; ( 4 ) absence of " name " personali- ties ; and ( 5 ) lack of continuity between films . Commercial and Syndicated Series . These are films , either a half - hour or an hour in length , which ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York