Television and Radio |
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Página 148
... ( minutes and seconds ) ( minutes ) Prime Time Non - Prime Time 5 1:00 1:15 10 2:00 2:10 15 2:30 3:00 25 2:50 4:00 30 3:00 4:15 45 4:30 5:45 60 6:00 7:00 Prime Time ( Definition : A continuous period of not less than three hours of each ...
... ( minutes and seconds ) ( minutes ) Prime Time Non - Prime Time 5 1:00 1:15 10 2:00 2:10 15 2:30 3:00 25 2:50 4:00 30 3:00 4:15 45 4:30 5:45 60 6:00 7:00 Prime Time ( Definition : A continuous period of not less than three hours of each ...
Página 149
... minutes of commercial for any 30 - minute program . No program shall have commercial content in excess of this ratio . Not more than three announcements shall be scheduled consecutively . Where the pro- gram exceeds 30 minutes in length ...
... minutes of commercial for any 30 - minute program . No program shall have commercial content in excess of this ratio . Not more than three announcements shall be scheduled consecutively . Where the pro- gram exceeds 30 minutes in length ...
Página 290
... minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk . While you are broadcasting , adjustments in pace may be made , by eliminating one or more of the tentative cuts ...
... minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk . While you are broadcasting , adjustments in pace may be made , by eliminating one or more of the tentative cuts ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York