Television and Radio |
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Página 266
... position of the camera governs the choice of the lens for the desired pick - up . A " two - shot " of interviewer and guest may be secured by any of the lenses listed as those most frequently used . The camera position would vary 6 feet ...
... position of the camera governs the choice of the lens for the desired pick - up . A " two - shot " of interviewer and guest may be secured by any of the lenses listed as those most frequently used . The camera position would vary 6 feet ...
Página 552
... position to a standing position . Speech 52 , where he looks at the tire , can be given some perspective by changing the head position , a slight fade combined with moving the head as he talks . A general rule for all actors to follow ...
... position to a standing position . Speech 52 , where he looks at the tire , can be given some perspective by changing the head position , a slight fade combined with moving the head as he talks . A general rule for all actors to follow ...
Página 618
... position at such stations . Lettering skills , cartooning or sketching abilities , and facility in construction of scale models may be put to use . Production Assistants . This position may be held by women as well as by men . When this ...
... position at such stations . Lettering skills , cartooning or sketching abilities , and facility in construction of scale models may be put to use . Production Assistants . This position may be held by women as well as by men . When this ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York