Television and Radio |
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Página 137
Of greatest interest and importance to the public are the codes of broad- cast practice promulgated by the NAB . In its more than forty years of existence , the organization , seeking to establish uniform practices through- out the ...
Of greatest interest and importance to the public are the codes of broad- cast practice promulgated by the NAB . In its more than forty years of existence , the organization , seeking to establish uniform practices through- out the ...
Página 255
Practice " riding gain " on a single voice . Then practice on two voices and move into riding gain on two or three microphones . Open and close faders on cue or script markings . Follow hand movements by instructor in fading up or down ...
Practice " riding gain " on a single voice . Then practice on two voices and move into riding gain on two or three microphones . Open and close faders on cue or script markings . Follow hand movements by instructor in fading up or down ...
Página 322
This subtle yet professional skill takes practice . Memorization . Commercial announcements and program continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early days of television ...
This subtle yet professional skill takes practice . Memorization . Commercial announcements and program continuity are sometimes committed to memory , although this practice is now much rarer than it was in the early days of television ...
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York