Television and Radio |
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Página 368
Avoid obvious or trite questions . 3. Keep a file of background material . 4. Do not put the celebrity " on the spot " by asking questions that will embarrass him . 5. If you want information on a touchy subject , take an oblique or ...
Avoid obvious or trite questions . 3. Keep a file of background material . 4. Do not put the celebrity " on the spot " by asking questions that will embarrass him . 5. If you want information on a touchy subject , take an oblique or ...
Página 387
Simple questions of fact are not ap- propriate for discussion programs . Such broad questions of interpretation as " What is Democracy ? " " What is Communism ? " " What is a liberal edu- cation ? " often lend themselves to good ...
Simple questions of fact are not ap- propriate for discussion programs . Such broad questions of interpretation as " What is Democracy ? " " What is Communism ? " " What is a liberal edu- cation ? " often lend themselves to good ...
Página 388
Or the speakers may tangle during the broadcast on which aspect of the question they should discuss . ... Con- ceded matter can then be merely stated and need not be debated , and the crucial questions at issue can be explored more ...
Or the speakers may tangle during the broadcast on which aspect of the question they should discuss . ... Con- ceded matter can then be merely stated and need not be debated , and the crucial questions at issue can be explored more ...
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York