Television and Radio |
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Página 70
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. LICENSING RADIO AND TELEVISION STATIONS In licensing radio and television stations when " the public convenience , interest , or necessity will be served thereby , " the FCC must also ...
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. LICENSING RADIO AND TELEVISION STATIONS In licensing radio and television stations when " the public convenience , interest , or necessity will be served thereby , " the FCC must also ...
Página 112
... television on listening in the large eastern cities threw out of kilter some of the basic assumptions underlying Hooper's statistical techniques ; it consequently became impossible accu ... Radio Index and the 112 TELEVISION AND RADIO.
... television on listening in the large eastern cities threw out of kilter some of the basic assumptions underlying Hooper's statistical techniques ; it consequently became impossible accu ... Radio Index and the 112 TELEVISION AND RADIO.
Página 210
... broadcasting workshops in both radio and television that provide students with first - class training in the broadcasting skills . SUMMARY To be successful , educational radio and television must effectively com- bine showmanship and ...
... broadcasting workshops in both radio and television that provide students with first - class training in the broadcasting skills . SUMMARY To be successful , educational radio and television must effectively com- bine showmanship and ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York