Television and Radio |
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Página 270
... shot , " " medium shot , " and " close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is sometimes referred to as an orientation or establishing shot . It aids in indicating " the lay ...
... shot , " " medium shot , " and " close - up . " An over - all perspective of the setting for the viewer is supplied by the long shot . It is sometimes referred to as an orientation or establishing shot . It aids in indicating " the lay ...
Página 488
... shot is held and the speed of switching from shot to shot , whether by fast cuts , slow dissolves , or fast dissolves . An identical scene shot in one tempo and then shot in another will differ strikingly in mood . Consider how a series ...
... shot is held and the speed of switching from shot to shot , whether by fast cuts , slow dissolves , or fast dissolves . An identical scene shot in one tempo and then shot in another will differ strikingly in mood . Consider how a series ...
Página 576
... shots to be taken by the camera . " Kill shot 34 " or " Shot 47 is changed from a waist to a shoulder shot " are examples of directions which may be given later to speed up rehearsal and reduce opportunities for error . 3. Camera ...
... shots to be taken by the camera . " Kill shot 34 " or " Shot 47 is changed from a waist to a shoulder shot " are examples of directions which may be given later to speed up rehearsal and reduce opportunities for error . 3. Camera ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York