Television and Radio |
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Página 257
... signal on its way is only 17 inches long , has an estimated life of around 500 hours , and costs $ 1,200 . RCA Image Orthicon Tube SCENE BEING TELEVISED PHOTOSENSITIVE SURFACE CAMERA LENS TARGET RETURN BEAM ELECTRON GUN TELEVISION SIGNAL ...
... signal on its way is only 17 inches long , has an estimated life of around 500 hours , and costs $ 1,200 . RCA Image Orthicon Tube SCENE BEING TELEVISED PHOTOSENSITIVE SURFACE CAMERA LENS TARGET RETURN BEAM ELECTRON GUN TELEVISION SIGNAL ...
Página 291
... Signals to Expect . There are a number of standardized signals or cues which are useful when on the air , for control room to studio com- munication , or for intrastudio work . MEANING CUE OR SIGNAL NEEDED 1. Get ready - or stand by for ...
... Signals to Expect . There are a number of standardized signals or cues which are useful when on the air , for control room to studio com- munication , or for intrastudio work . MEANING CUE OR SIGNAL NEEDED 1. Get ready - or stand by for ...
Página 303
... signals are the same as those used in radio . The floor ( or stage ) manager relays them to you . He will try to be in posi- tion to permit you to see the signals without turning your head . If you are on camera , do not acknowledge the ...
... signals are the same as those used in radio . The floor ( or stage ) manager relays them to you . He will try to be in posi- tion to permit you to see the signals without turning your head . If you are on camera , do not acknowledge the ...
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York