Television and Radio |
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Página 511
29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television than in radio , but they still assist materially in ...
29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television than in radio , but they still assist materially in ...
Página 514
Use the same sounds as described above , but spotlight the sound of a cork being pulled out of a bottle and a clink of bottle to empty glass and you get a bar . Use the same sound , but use a hand - operated cash register , add steady ...
Use the same sounds as described above , but spotlight the sound of a cork being pulled out of a bottle and a clink of bottle to empty glass and you get a bar . Use the same sound , but use a hand - operated cash register , add steady ...
Página 519
The following sounds are usually produced manually : Body blows , falls , struggle Destruction ( crashing in doors ... best position in which to place these sound effects around the microphone to secure the most effective pick - up .
The following sounds are usually produced manually : Body blows , falls , struggle Destruction ( crashing in doors ... best position in which to place these sound effects around the microphone to secure the most effective pick - up .
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York