Television and Radio |
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Página 511
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Página 514
... sounds : a basic principle . Don't depend on sound to identify itself . Few sounds are absolutely self - identifying . In radio assist the listener either directly by specific identification by the program an- nouncer or in dialogue ...
... sounds : a basic principle . Don't depend on sound to identify itself . Few sounds are absolutely self - identifying . In radio assist the listener either directly by specific identification by the program an- nouncer or in dialogue ...
Página 519
... sound effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
... sound effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York