Television and Radio |
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Página 137
The NAB has no legal authority to enforce its codes , but member sta- tions accept the association's standards if they want to remain in good standing . In an effort to put some teeth into the television code , the asso- ciation created ...
The NAB has no legal authority to enforce its codes , but member sta- tions accept the association's standards if they want to remain in good standing . In an effort to put some teeth into the television code , the asso- ciation created ...
Página 211
14 Standards of Criticism ON WHAT BASES should television and radio programs be judged ? By their popularity or by their artistic quality ? By the amount of useful information they convey or by their effectiveness as vehicles for ...
14 Standards of Criticism ON WHAT BASES should television and radio programs be judged ? By their popularity or by their artistic quality ? By the amount of useful information they convey or by their effectiveness as vehicles for ...
Página 654
Radio , AM , see AM radio basic standards , 211-212 commercial standards , 212-213 commercials , 337 , 341-347 cultural significance , 12-18 economic significance , 9-11 , 25-27 , 96- 97 educational aspects , 11-12 entertainment ...
Radio , AM , see AM radio basic standards , 211-212 commercial standards , 212-213 commercials , 337 , 341-347 cultural significance , 12-18 economic significance , 9-11 , 25-27 , 96- 97 educational aspects , 11-12 entertainment ...
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Contenido
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Derechos de autor | |
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Términos y frases comunes
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York