The Poetical Works of John Milton: Edited, with Memoir, Introductions, Notes, and an Essay on Milton's English and Versification, Volumen3Macmillan and Company, limited, 1903 |
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Página 90
... Greek precedents in two particulars , —his use of the chorus , and his observation of the rule of unity in time . The tragedy , he says , never having been intended for the stage , but only to be read , the division into acts and scenes ...
... Greek precedents in two particulars , —his use of the chorus , and his observation of the rule of unity in time . The tragedy , he says , never having been intended for the stage , but only to be read , the division into acts and scenes ...
Página 94
... Greek manner , not ancient only , but modern , and still in use among the Italians . In the modelling therefore of ... Greeks monostrophic , or rather apolelymenon , without regard had to strophe , anti- strophe , or epode , -which were ...
... Greek manner , not ancient only , but modern , and still in use among the Italians . In the modelling therefore of ... Greeks monostrophic , or rather apolelymenon , without regard had to strophe , anti- strophe , or epode , -which were ...
Página 174
... Greek and Latin , and modern German , there was a true gramma- tical distinction of gender , and the names of lifeless things were distributed into the three genders - masculine , feminine , and neuter . Thus , gást ( breath or wina ) ...
... Greek and Latin , and modern German , there was a true gramma- tical distinction of gender , and the names of lifeless things were distributed into the three genders - masculine , feminine , and neuter . Thus , gást ( breath or wina ) ...
Página 207
... Greeks and Latins , in addition to that feature of contrast which is the most obvious of all : viz . the liberty and ... Greek and Latin lyrists . In English Verse , on the other hand , the xa metre is cver- whelmingly the most frequent ...
... Greeks and Latins , in addition to that feature of contrast which is the most obvious of all : viz . the liberty and ... Greek and Latin lyrists . In English Verse , on the other hand , the xa metre is cver- whelmingly the most frequent ...
Página 208
... Greeks and Romans liked 6 axx or 6 xa or yet longer measures , we do not generally , in continuous poetry , go beyond 5 xa . This also is a fact worth noting . How is it that , while on the Greek stage the tragic dialogue was in ...
... Greeks and Romans liked 6 axx or 6 xa or yet longer measures , we do not generally , in continuous poetry , go beyond 5 xa . This also is a fact worth noting . How is it that , while on the Greek stage the tragic dialogue was in ...
Otras ediciones - Ver todas
Términos y frases comunes
Adam adjective Æneid Amphibrach ancient Angels aught Bethabara Blank Verse Book Cæsura called Chaos Chor Christ Comus Corineus Dactyl Dagon daughter death divine drama Earth English epic ESSAYS Euripides father glory goddess gods Greek hast hath Heaven Hell honour Iambic Iambus Introd Italian JOHN MILTON Keightley King L'Allegro Latin legend lines lords Lycidas meaning metre metrical Milton mind Minor Poems Muse occurs once original edition Ovid Paradise Lost Paradise Regained Parthian passage peculiar perhaps Philistines phrase poet poetical prose Psalm rhyme Roman round Sams Samson Agonistes Satan Scripture sense Shakespeare shalt song Sonnet speech spelling spelt Spenser spheres Spirit Spondee stanza star strength supposed syllable syntax Temptation Thammuz thee things thou art thought throne tion Tragedy trisyllabic Trochee verb Vols Warton whole word write
Pasajes populares
Página 275 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune...
Página 91 - TRAGEDY, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems : therefore said by Aristotle to be of power, by raising pity and fear, or terror, to purge the mind of those and such like passions ; that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
Página 6 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
Página 179 - Farewell happy fields, Where joy for ever dwells : Hail horrors, hail Infernal world, and thou profoundest Hell, Receive thy new possessor ; one who brings A mind not to be chang'd by place or time. The mind is its own place, and in itself Can make a Heav'n of Hell, a Hell of Heav'n.
Página 144 - Nothing is here for tears, nothing to wail Or knock the breast ; no weakness, no contempt, Dispraise, or blame ; nothing but well and fair, And what may quiet us in a death so noble.
Página 230 - Sweet echo, sweetest nymph, that liv'st unseen Within thy airy shell By slow Meander's margent green, And in the violet-embroidered vale Where the love-lorn nightingale Nightly to thee her sad song mourneth well: Canst thou not tell me of a gentle pair That likest thy Narcissus are? O, if thou have Hid them in some flowery cave, Tell me but where, Sweet Queen of Parley, Daughter of the Sphere! So may'st thou be translated to the skies, And give resounding grace to all Heaven's harmonies!
Página 281 - He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain? And questioned every gust of rugged wings That blows from off each beaked promontory: They knew not of his story...
Página 227 - With solemn touches troubled thoughts, and chase Anguish, and doubt, and fear, and sorrow, and pain, From mortal or immortal minds.
Página 95 - A little onward lend thy guiding hand To these dark steps, a little further on; For yonder bank hath choice of sun or shade; There I am wont to sit, when any chance Relieves me from my task of servile toil, Daily...
Página 80 - Then to the well-trod stage anon If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild.