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...Shelley could write in 'Adonais' of his friend Keats, recently dead: He is made one with Nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet hird. And, presumably, in the hiss of the pit viper and the howl of the jackaL Maybe that comment betrays...

...transcendent and immaterial meaning, of being "made one with Nature," so that her or his "voice [is heard] in all her music, from the moan / Of thunder, to the song of night's sweet bird" (11. 370-71). The realization also has sobering implications for how one is to understand the materiality...

...find comfort u ith these words. The dead, he wrote, are "made one with Nature." We hear their voices "in all her music, from the moan of thunder, to the song of night's sweet bird." They are "a presence to be felt and known in darkness and in light." They are "a portion of the loveliness...

...and pick about the gravel'; and Shelley, 'Adonais', 42, 370-75: He is made one with Nature: there is heard His voice in all her music, from the moan Of...and known In darkness and in light, from herb and stone, Spreading itself wher'ere that Power may move Which has withdrawn his being to its own; Other...

...entero: Me is made onc with Nature: there is heard His voice in all her music, from the moan Of thundcr, to the song of night's sweet bird; He is a presence...and known In darkness and in light, from herb and stone, Sprcading itself where'er that power may move Which has withdrawn his being to its own; Which...

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