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" And when the Sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown that Sylvan loves Of Pine, or monumental Oak, Where the rude Axe with heaved stroke, Was never heard the Nymphs to daunt, Or fright... "
Cowley. Denham. Milton. Butler. Rochester. Roscommon. Otway. Waller. Pomfret ... - Página 130
editado por - 1800
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English poetry, for use in the schools of the Collegiate institution ...

English poetry - 1844
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's garish eye, While the...
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Imagination and Fancy: Or, Selections from the English Poets, Illustrative ...

Leigh Hunt - 1845 - 255 páginas
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's garish eye, While the...
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Imagination and fancy; or Selections from the English poets, with critical ...

Leigh Hunt - 1845
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's garish eye, While the...
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Studies in English poetry [an anthology] with biogr. sketches and notes by J ...

Joseph Payne - 1845
...shadows brown, that Sylvan loves, Of pine, or monumental4 oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. There, in close covert, by some brook, Where no profaner eye may look, Hide me from...
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Poetical Works: Volume 2. Paradise Regain'd; Samson Agonistes; Poems Upon ...

John Milton - 2000 - 392 páginas
...shadows brown that Syban loves Of Pine, or monumental Oake, i35 Where the rude Ax with heaved stroke, Was never heard the Nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by som Brook, Where no profaner eye may look, 140 Hide me from Day's garish eie, While...
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The Harvard Classics, Volumen4

Charles William Eliot - 1909
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt. There, in close covert, by some brook, Where no profaner eye may look, Hide me from...
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Excess and the Mean in Early Modern English Literature

Joshua Scodel - 2002 - 367 páginas
...shadows brown that Sylvan loves Of pine, or monumental oak, Where the rude axe with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's...
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Complete Poems and Major Prose

John Milton - 2003 - 1059 páginas
...shadows brown that Sylvan loves Of Pine or monumental Oak, 135 Where the rude Axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some Brook, Where no profaner eye may look, 140 Hide me from Day's garish eye, While...
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The Major Works

John Milton - 2003 - 966 páginas
...shadows brown that Sylvan loves0 Of pine, or monumental oak, Where the rude axe with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. There in close covert by some brook, Where no profaner eye may look, 140 Hide me from...
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L'allegro, Il Penseroso, Comus, and Lycidas: Easyread Comfort Edition

John Milton - 2006 - 68 páginas
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. There, in close covert, by some brook, Where no profaner eye may look, Hide me from...
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