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" The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called... "
Lyra Heroica: A Book of Verse for Boys - Página 351
por William Ernest Henley - 1891 - 364 páginas
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The World's Best Poetry ...

John Vance Cheney, Sir Charles G. D. Roberts, Francis Hovey Stoddard, John Raymond Howard - 1904 - 618 páginas
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking lie appeared to himself to have a distinct recollection of the whole, and, taking his pen,...
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Notes to Palgrave's Golden Treasury of Songs and Lyrics, Books I-IV

John Henry Fowler - 1904 - 516 páginas
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink,...
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British Poets of the Nineteenth Century: Selections from Wordsworth ...

Curtis Hidden Page - 1904 - 942 páginas
...if that indeed can be called composition in which all the images rose up before him as M ('»£«, dead man's eye ! aw'aking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink....
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REAL Volume 8 (1991/1992), Volumen8

1992 - 312 páginas
...imagination; the astounding quality of "effortlessness" in poetic creation is acknowledged in that, "all the images rose up before him as things, with...expressions, without any sensation or consciousness of effort."100 So, super-natural "phantoms" are invested with a dynamic and a facticity that is often...
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Life Force: The Psycho-Historical Recovery of the Self

Jean Houston - 1993 - 348 páginas
...Coleridge writing "Kubla Khan." Coleridge had taken some opium and fallen into a kind of sleep in which images rose up before him as things, with a parallel...without any sensation or consciousness of effort. The subject, who was in trance during this discussion, delivered himself of a rambling and rather long...
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems

Jack Stillinger - 1994 - 268 páginas
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his is pen,...
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Night: Night Life, Night Language, Sleep and Dreams

Alfred Alvarez - 1996 - 324 páginas
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...expressions, without any sensation or consciousness of effort.63 'Kubla Khan' is all images, all 'things' that Coleridge had absorbed in the course of his...
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Genius: The Natural History of Creativity

H. J. Eysenck - 1995 - 360 páginas
...confidence, that he could not have composed less than from two or three hundred lines; if that indeed can be called composition in which all the images...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking he appeared to himself to...
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Ill-Gotten Gains: Evasion, Blackmail, Fraud, and Kindred Puzzles of the Law

Leo Katz - 1996 - 330 páginas
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...
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Imprints & Re-visions: The Making of the Literary Text, 1759-1818

Peter Hughes, Robert Rehder - 1996 - 258 páginas
...since to the images he sees in his dream, he gets the words and lines of the poem, "... if that indeed can be called composition in which all the images...without any sensation or consciousness of effort" (163, emphasis added). So in the dream he is given the images directly as things, and he is given the...
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