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" O Proserpina ! For the flowers now that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath... "
The flowers of literature, or, Encyclopædia of anecdote, a coll. by W. Oxberry - Página 163
editado por - 1821
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Shakespeare's Metrical Art

George T. Wright - 1988 - 363 páginas
...time of day: and yours, and yours, That wear upon your virgin-branches yet Your maidenheads growing: O Proserpina, For the flowers now, that (frighted) thou let'st fall From Dis's wagon: daffodils, That come before the swallow dares, and take The winds of March with beauty: violets...
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Women's Re-visions of Shakespeare: On the Responses of Dickinson, Wooff ...

Marianne Novy - 1990 - 260 páginas
...golden aura given off so often is a reflection of 'the fire-robed god,' but now listen to these lines: O Proserpina, For the flowers now that, frighted, thou let'st fall From Dis' wagon; daffodils That come before the swallow dares, and take The winds of March with beauty;...
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Things Supernatural and Causeless: Shakespearean Romance

Marco Mincoff - 1992 - 131 páginas
...that, frighted, thou let'st fall From Dis's waggon! daffadils, That come before the swallow dares, and take The winds of March with beauty; violets, dim,...the lids of Juno's eyes Or Cytherea's breath; pale primeroses, That die unmarried, ere they can behold Bright Phoebus in his strength (a malady Most incident...
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The Winter's Tale

William Shakespeare - 1995 - 151 páginas
...That wear upon your virgin branches yet Your maidenheads growing. — O Proserpina, For the flow'rs now, that (frighted) thou let'st fall From Dis's waggon:...than the lids of Juno's eyes Or Cytherea's breath) . . . It is as though the mythical transformative energies of Ovid's Metamorphoses have invaded a distinctively...
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Selected Poems

William Shakespeare - 1995 - 128 páginas
...time of day, and yours, and yours, That wear upon your virgin branches yet Your maidenheads growing. O Proserpina, For the flowers now that, frighted, thou let'st fall From Dis's wagon; daffodils, That come before the swallow dares, and take The winds of March with beauty; violets...
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Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 218 páginas
...yours, (To Mopsa and the other girls) That wear upon your virgin branches yet Your maidenheads growing. O Proserpina, For the flowers now that, frighted, thou let'st fall From Dis's waggon! (IV.iv.113-18) There are no daffodils, violets and lilies at this time of year now. 'O . . . For the...
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Alternative Shakespeare Auditions for Women

William Shakespeare, Simon Dunmore - 1997 - 120 páginas
...and Dorcas] and yours, and yours, That wear upon your virgin branches yet 5 Your maidenheads growing. O Proserpina, For the flowers now that, frighted, thou let'st fall From Dis's wagon! - Daffodils, That come before the swallow dares, and take The winds of March with beauty; violets,...
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Type in Use: Effective Typography for Electronic Publishing

Alex White - 1999 - 207 páginas
...fall from Dia's wagon. A sad tale's best for winter Daffodils that come before the swallow dares, and take the winds of March with beauty. Violets dim but sweeter than the lids of Juno's eyes or those of Dia's trerea's breath pale prim rost that died unm ried, ere they \ can...
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The Winter's Tale

William Shakespeare - 1999 - 116 páginas
...of day, and yours, and yours, That wear upon your virgin branches yet n6 Your maidenheads growing. O Proserpina, For the flowers now that, frighted, thou let'st fall From Dis 's wagon; daffodils, That come before the swallow dares, and take 119 The winds of March with beauty;...
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Shakespeare's Dramatic Genres

Lawrence Danson, Lawrence (Professor of English Danson, Professor of English Princeton University) - 2000 - 160 páginas
...the queen on't. (4- 4- 1-5) Distributing her flowers, Perdita invokes the figure she also embodies: 'O Proserpina, | For the flowers now that, frighted, thou letst fall | From Dis's wagon' (4. 4. 116-18). And in his next play, The Tempest, Shakespeare again alludes to the myth of...
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