Forthright, honest, well crafted.
Fifteen debut stories from a native Britisher and poetry critic.
Jackson demonstrates wit, compassion, imagination, and a heady interest in the writing process in tales often notable for their unlikely premises. Twin girls in “Darrell’s Garage” find themselves the objects of sexual attention from the man their mother uses to drive them home from school—but which will he touch, the twin who despises him or the one who trusts him? The title story comprises the reflections of an aging writer on her literary career and the odd politics attendant to a sad lifelong romance. Aged sisters try to reconcile sin and old age in “A Small Independence” by seeking out a priest’s permission to freeze themselves in a graveyard; and a young girl recalls cooking and gardening with a relative in “Grandmother’s Footsteps,” a tale leading sure-footedly toward “a moment [when], united against such blind misunderstanding, we were so close we could have touched souls.” “Imagining Friends” tells of a young girl’s imaginary little brother, who is so real that even those around her, including us, find themselves invested in his imaginary life—and eventual murder. Jackson’s tales sail along a current of plot and nostalgia, feeling pleasantly displaced in time—they could be the found stories of an author missing for the last 50 years. The plots are sometimes like fables or fairy tales, but in a way that argues for the validity of pieces told with clear message in mind. Yet even as the author celebrates the potential of storytelling, she is quick to criticize it, saying that “it is also the limitation of being mere audience. You may have empathy for me or compassion or disgust. But you cannot be me, be in my skin, feel as I feel.”
Forthright, honest, well crafted.Pub Date: April 1, 2003
ISBN: 0-8262-1463-0
Page Count: 192
Publisher: Univ. of Missouri
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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